If any musical currently running on Broadway exemplifies the
changing state of musical theatre, it is Once.
That may seem like an unexpected statement to make about a musical based on a
movie, but bear with me here, dear blog readers.
I didn’t have high expectations for the musical adaptation
of Once when it was first announced.
I fell in love with the heartfelt indie film a few years ago after Glen Hansard
and Marketa Irglova won the Academy Award for Best Original Song in 2008. As much as I love the glitz of Broadway musicals, I
was afraid that it would squash the authenticity of the story about a heartbroken Irish songwriter and the Czech immigrant who inspires him to keep his music alive. Then it won a
Tony for Best Musical. Then my theatre-nerd friends wouldn’t stop raving about
it. Then I looked up some clips on YouTube. And then I put tickets to the show
on my Christmas wish list.
Once was
everything I could have wished for in an adaptation of the film I love so much. It was true to the film's plot and kept the same slightly melancholy tone while energizing the musical numbers. The indie spirit of the film was hardly lost on the stage.
This was one of the first Broadway shows I’ve seen to use an interactive pre-show
set up, which is something I’ve grown to love in smaller productions. The set
is pretty minimalist, with a bar acting as a street corner in Dublin, a cramped
apartment and a recording studio. That bar wasn’t just for show (no pun
intended), as drinks were served onstage before the show. As it got closer to curtain, the actors gathered around the remaining bar patrons/audience
members on stage and performed a few folk tunes. The actors accompanied
themselves with violins, guitars, melodicas and upright basses and continued to
do so into the show. This is a trend in musical theatre - seen in the recent
revivals of Sweeney Todd and Company - that I’ve been loving as it gives musical theatre more of a folk music storytelling element to the stage, bringing usually
glitzy Broadway productions down to Earth.
Steve Kazee, Cristina Milioti and the whole cast give some
really great performances. Many of
them come from a “straight acting” background rather than the world of musical
theatre and have been seen in more plays than musicals. This really shows, since they
act the crap out of each scene they’re in. I see Once as more of a play with music than a musical, and this approach to casting the show really worked.
All that being
said, I think that Once will work
better in a smaller setting. It is such an intimate musical and some of those
quieter emotional moments can get lost in a 1,000+ seat house. The actors all
do a great job, but some points tend to fall flat when you’re up in the
nosebleeds.
Regardless, if you’re in Manhattan any time soon, check out Once. It’s definitely one of the best shows
I’ve seen in New York in a long time.
Once is currently
running at the Bernard B. Jacobs Theatre at 242 W. 45th St., New
York, NY. Tickets start at $60. General Rush tickets are available in person at
the box office for $34.50 Tuesday through Thursday and $39.50 Friday through
Sunday (limit two per person).
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